You don’t get more of a Depression-era film than director John Ford’s The Grapes of Wrath (1940). Based on John Steinbeck’s Pulitzer Prize winning novel of the same name, the story follows the displaced Joad family from the Dust Bowl of Oklahoma to the sunny orchards of California. Darryl Zanuck took a chance when he bought the film rights for 20th Century Fox, but in the end it paid off with seven Oscar nominations—two of which earned Oscars...
Monday, 30 January 2012
Tuesday, 24 January 2012
A Night at the Opera (1935) **
Posted on 23:01 by Unknown
(This is my contribution to the CMBA’s Comedy Classics Blogathon. Please visit http://clamba.blogspot.com/ for more great comedy classic articles.)Imagine if you will a world in which a nation finds itself weighed down by hard economic times—a world where a select few have much and the majority of people struggle to make ends meet. In this type of world the masses need something or someone to make things seem less dark and hopeless. In 1935...
Mr. Deeds Goes to Town (1936) **1/2
Posted on 11:12 by Unknown
I know I am supposed to say Mr. Deeds Goes to Town (1936) is a screwball comedy, but I just can’t do it! Yes, it has many funny moments in it and the main character is a tad screwy, but I can’t put it in the same category as Bringing Up Baby (1938), The Lady Eve (1941), or The Awful Truth (1937). Plus, being a Frank Capra directed film it has a bit of a dark underside to it—and I don’t mean dark humor. I would actually categorize it as a dramedy,...
Thursday, 19 January 2012
The King’s Speech (2010) ****
Posted on 01:11 by Unknown
One of the best films I’ve seen in years. Everything is stellar about this 2010 Academy Award winner for Best Picture, Best Actor, Best Director, and Best Original Screenplay. The acting is courageously superb; the costumes are spot-on; and, the story is inspiring. There was nothing I didn’t like about this film (sans the fact that Helena Bonham Carter wasn’t in it more). Watching director Tom Hooper’s masterpiece was a highly...
Monday, 16 January 2012
I Know Where I’m Going (1945) **
Posted on 08:54 by Unknown
The Archers, Michael Powell and Emeric Pressburger, collaborated on eighteen films over a thirty year period (1939-72). While their first true “Archer” production (where they share writing, directing and producing credit) didn’t come until 1943 with The Life and Death of Colonel Blimp, they had previously worked on four films together. Usually, it was Powell who did the bulk of the directing and Pressburger who came up with the story...
Wednesday, 11 January 2012
True Grit (2010) **
Posted on 14:13 by Unknown
True disappointment is more like it! Three great actors and two Coen brothers would seem like a recipe for success, but something went wrong with True Grit (2010). I suppose I am in the minority here, as I read many critics’ reviews that praised this Coen venture. In addition, it garnered ten Academy Award nominations (at least it didn’t win any!). Now, it’s not like I am one of those rabid John Wayne fans who thought there was...
Monday, 9 January 2012
The Bank Dick (1940) **
Posted on 08:15 by Unknown
W.C. Fields isn’t as timeless as one would like. Overall, vaudeville humor hasn’t aged well, either. Still, Fields was a devilishly delicious deadpan comic who knew how to keep a gag running. He was greatly aided in this endeavor by his own clever writing. Who better to convincingly deliver funny lines than the person who wrote them—I’m sure Woody Allen would attest to this. The Bank Dick (1940) is a product of Fields’...
Monday, 2 January 2012
A Very Long Engagement (Un Long Dimanche de Fiançailles) (2004) ***
Posted on 17:22 by Unknown
This visually stunning 2004 French film from director Jean-Pierre Jeunet is a beautiful and touching testament to all that is good about French cinema. Only in le cinéma Français could you depict the horror of World War I and its trench warfare with a wryly comedic touch, while at the same time tell both a love story and a revenge story without engaging in oversentimentality or malice. The acting, particularly that of the females, is nuanced...
My Man Godfrey (1936) ****
Posted on 02:47 by Unknown
There are few films from the 1930s that I like better than My Man Godfrey (1936). Screwball comedies are a particular favorite of mine, and this is one of the best ever made. It is a film filled with memorable characters and lines. In addition, it has a bit of a serious side, touching on the plight of the Forgotten Man during the Depression. When you combine all of these ingredients you come up with a deliciously entertaining...
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