In director Sidney Lumet’s first feature film, 12 Angry Men (1957), one juror asks another, “What kind of man are you? Who tells you that you have the right like this to play with a man's life?” The duty of a juror is to judge the evidence presented without prejudice or sympathy and render a verdict. The problem is every person who sits in a jury box has their own personal views regarding race, class, and gender, as well as their own personal problems....
Wednesday, 19 September 2012
Monday, 17 September 2012
Strange Days (1995) **
Posted on 22:20 by Unknown
Loud, obnoxious, and inexplicably unbelievable is how I would define director Kathryn Bigelow’s Strange Days (1995). I’ll admit that I dislike most science fiction movies, so I already had a proverbial chip on my shoulder when I watched this. Plus, this is one of those Y2K films that forecasts the world on the brink of anarchy as the new millennium approaches, and since I know that was all much ado about nothing it irks me even more. Now,...
Saturday, 15 September 2012
Of Gods and Men (Des hommes et des dieux) 2010 ***
Posted on 21:01 by Unknown
While the Islamic world sets itself aflame with religious zeal due to perceived slights to the Prophet Mohammed by one very intolerant bigot I watched director Xavier Beauvois’ Of Gods and Men (2010). It tells the spiritually courageous story of eight French Trappist monks’ attempt to ride out the Algerian Civil War, which was a.10-year bloody struggle (1992-2002) for power between the government and Islamist rebel groups. The story takes place...
Friday, 14 September 2012
Hidden (Caché) 2005, **
Posted on 21:01 by Unknown
(While I try to avoid including too many spoilers, I have to discuss a big one in the following post.) There is absolutely no music in Hidden (Caché) (2005). I don’t know why this is a big deal to me, but it is. I suspect the slow, deliberate style of director Michael Haneke seemed even more drawn out than usual to me because this film literally lacked rhythm. I’m a fan of cerebral dramas, but sometimes directors just take things one step...
Thursday, 13 September 2012
The Battle of San Pietro (1945) **
Posted on 21:01 by Unknown
The Germans weren’t the only country that made propaganda films during World War II—the United States enlisted top-tier directors like John Huston and Frank Capra to shore up troop morale and to keep the homefront abreast of what was happening in the European Theater, too. Of course, there was a very significant difference between Joseph Goebbels and John Huston: Huston had a conscience. It was his understanding of right and wrong that...
Wednesday, 12 September 2012
Mishima: A Life in Four Chapters (1985) **
Posted on 21:01 by Unknown
On the morning of November 25, 1970, Yukio Mishima (Ken Ogata) was recognized as Japan’s greatest modern writer. By the end of the day he was viewed as a narcissistic madman, after he and four cadets from his own private army took the general of the 32nd Garrison of the Japanese Armed Forces hostage and then asked that the army join him in bringing the Emperor back to power. When his request was impolitely turned down he proceeded to commit...
Tuesday, 11 September 2012
Playtime (1967) :(((
Posted on 21:01 by Unknown
You suck, Jacques Tati! I’ve seen three of your films and they all blew. Francois Truffaut wrote that your Playtime (1967) was a “film that comes from another planet, where they make films differently.” I expect he meant that as some sort of compliment—to me it means that somewhere in the galaxy there is a planet full of films I would never want to watch. I’m glad you went bankrupt after this ₣17-million fiasco, and I’m especially pleased...
Monday, 10 September 2012
The Night of the Shooting Stars (La Notte Di San Lorenzo) 1982 **1/2
Posted on 22:53 by Unknown
Lyrical, humorous and tragic are the words that best describe directors Paolo and Vittorio Taviani’s The Night of the Shooting Stars (La Notte Di San Lorenzo, 1982). Winner of the 1982 Jury Special Grand Prix at the Cannes Film Festival, this Italian film tells the poignant story of the flight of a San Marino village from their German-mined homes in the waning days of Nazi occupation in 1944. While it is a tad oversentimental at times, the movie...
Sunday, 9 September 2012
The Evil Dead (1982) **
Posted on 21:05 by Unknown
(Please be advised that some of the images contained in this post may be disturbing.) The Gory Dead is more like it. Sam Raimi redefined the horror genre when he wrote and directed The Evil Dead (1982). Working with a paltry budget of $375,000, Raimi and his childhood friend Bruce Campbell (the film and its franchise star) took excessive violence and gore to a whole new level with this small independent film that has developed a cult following. ...
Thursday, 6 September 2012
Network (1976 ) ****
Posted on 14:27 by Unknown
When Paddy Chayefsky wrote his Oscar-winning screenplay for Network (1976) it was supposed to be satirical. Lensed through the 1976 eye I’m sure audiences found an opinion-spouting news anchor and a network devoted to developing reality-based programming as absurd. To the first-time 2012 viewer it just seems par for the course. Obviously, news anchor Howard Beale (Oscar-winner Peter Finch) was not the only prophet working on Network. One of...
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