Ingrid Bergman’s “shocking” affair with Italian director Roberto Rossellini was very unfortunate. It wasn’t harmful because they were both married to other people, or that he ran off with another woman seven years after they were married. No, what was unequivocally catastrophic about their affair was that it caused Bergman’s banishment from the American film industry because by playing a nun in The Bells of St. Mary’s (1945) and Joan of Arc...
Friday, 18 July 2014
Sunday, 6 July 2014
An American in Paris (1951) **
Posted on 17:41 by Unknown
Artistically director Vincent Minnelli’s An American in Paris (1951) is a triumph. It rightfully earned Oscars for its art direction (Cedric Gibbons, Preston Ames, Edwin B. Willis, and Keogh Gleason) and costume design (Orry-Kelly, Walter Plunkett, and Irene Sharaff), and I suppose one could make the case that its win for Best Music (Johnny Green and Saul Chaplin) wasn’t too far of a stretch—but one could definitely make a valid argument for...
Thursday, 3 July 2014
Jeanne Dielman, 23, Quai du Commerce, 1080 Bruxelles (1975) *
Posted on 01:11 by Unknown
I know what you’re thinking: that sure is an elongated film title! Well, the title matches the movie’s runtime, which clocks in at three hours and twenty minutes. Oh, you think that sounds like an awfully long time to watch a story unfold? Unless you’ve actually viewed this in one sitting, you have absolutely no idea just how long director Chantal Akerman’s Jeanne Dielman, 23, Quai du Commerce, 1080 Bruxelles (1975) really...
Wednesday, 2 July 2014
Guys and Dolls (1955) **1/2
Posted on 15:34 by Unknown
When I think of Gene Kelly or Frank Sinatra I envision them in musicals—they belong in this genre. But Marlon Brando in a musical? WTF! The first time I sat down to watch Brando’s starring turn in director Joseph L. Mankiewicz’s Guys and Dolls (1955) I thought to myself: This isn’t going to end well, is it? But, what a surprise, as the movie is actually rather entertaining and Brando does a relatively good job (thanks...
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