Two words describe this 2007 film from writer/director Oren Peli: absolutely horrible. I don’t care who gave it 3.5 stars out of a possible 4, I found the whole 90 minutes to be a complete waste of time. Someone had the audacity to tell me I would be terrified because of how scary this was supposed to be—the only thing that frightened me about it is that there are actual people who think this is a horror movie. The story is about a twenty-something...
Wednesday, 28 March 2012
Tuesday, 20 March 2012
Gold Diggers of 1933 (1933) **1/2
Posted on 22:10 by Unknown
(In honor of the great Broadway producer Florenz Ziegfeld’s 145th birthday I have reissued this post about the classic Warner Bros. musical.) In 1933 Warner Bros. made three very successful musicals; all of which were choreographed by Busby Berkeley. I have already reviewed the two bookends, 42nd Street and Footlight Parade, so it only makes sense that I give the third (and middle one) its due: Gold Diggers of 1933. While the other two big Warner...
Friday, 16 March 2012
Sexuality & Wild Reeds (1994) **
Posted on 23:11 by Unknown
André Téchiné is a highly regarded and respected French director, who has helmed some of the best films to come out of France in the last thirty years. Many critics consider his 1994 Les Roseaux Sauvages (Wild Reeds) a masterpiece. It won Césars (a French Oscar) for Best Film, Best Director, Best Screenplay (Olivier Massart, Gilles Taurand, and Téchiné) and Most Promising Actress (Élodie Bouchez). Yet, while Téchiné holds a special place...
Children of a Lesser God (1986) **1/2
Posted on 00:28 by Unknown
What makes Children of a Lesser God (1986) a compelling film is its superb acting and unique storyline. There are no stunning visuals or intricate shot designs—it’s purely a cinematic dissection of the age-old battle between love, acceptance, and individuality. It was nominated for five Academy Awards: Best Picture, Best Screenplay (adapted from Mark Medoff’s stage play of the same name), Best Actress (winner Marlee Matlin), Best Actor (William...
Tuesday, 13 March 2012
8 1/2 (1963 ) **
Posted on 08:15 by Unknown
Most critics refer to 8 1/2 (1963) as legendary Italian director Federico Fellini’s masterpiece. Upon release it was lauded as a brilliant film and received several prestigious awards, most notably an Academy Award for Best Foreign Language Film. I suppose I’m in the minority when it comes to adoring it. You see, I don’t really do avant garde, and that’s what Fellini’s 8 1/2 is. I much prefer his La Strada (1954) and The Nights of Cabiria...
Thursday, 8 March 2012
Things to Come (1936) **
Posted on 20:23 by Unknown
Author H.G. Wells is perhaps the most famous futurist in literature. When you think of early science fiction his name, along with Jules Verne’s, probably pops into your mind. Therefore, it is only fitting that one of the first science fiction films, Things to Come (1936), is based on his novel The Shape of Things to Come (1933)—Wells actually wrote the film’s screenplay. While the film is strong on visuals and ideas, it is weak in narrative...
Saturday, 3 March 2012
Dumbo Does Debauchery (1941) **
Posted on 22:25 by Unknown
Have you ever watched a film as a child and then later as an adult? What your childhood memory usually holds for you is not exactly a full representation. Upon adult reintroduction you notice all sorts of things that just flew right over your kiddie head. This is what recently happened to me while watching the Walt Disney animated classic, Dumbo (1941). Who knew a Disney film could have so much debauchery! If you have a child,...
Friday, 2 March 2012
To Be or Not To Be (1942) ****
Posted on 23:34 by Unknown
Director Ernst Lubitsch made many great films in his distinguished career, but if I had to pick just one to call my favorite it would be To Be or Not to Be (followed very closely by Ninotchka [1939]) from 1942. Released on March 6, 1942, almost 3 months to the day that the Japanese attacked Pearl Harbor, the movie was not well-received by critics or moviegoers. People didn’t think it was funny to make light of the Nazis when they were on...
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